Bonk, E. [1989]. Marcel Duchamp: The Box in a Valise. New York: Rizzoli.

Cabanne, P. [1967]. Dialogues With Marcel Duchamp. London: DaCapo Press.

Clearwater, B. [Ed.]. [1991]. West Coast Duchamp. Miami Beach, FL: Grassfield Press.

Davis, D.M. [1993]. The Nature and Power of Mathematics. Princeton, NJ: Princeton University Press.

d'Harnoncourt, A., & McShine, K. [1973]. Marcel Duchamp. New York: The Museum of Modern Art.

Diacu, F., & Holmes, P. [1996]. Celestial Encounter: The Origins of Chaos and Stability. Princeton, NJ: Princeton University Press.

Duchamp, M. [1960]. "The Bride Stripped Bare by Her Bachelors, Even." In a typographic version of the Green Box Notes by Richard Hamilton: London: Hansjörg, Mayer, Stuttgart.

Duchamp, M. [1966]. The White Box [C. Gray, Trans.]. New York: Cordier and Ekstrom Gallery. [Original work, L'infinitif, published 1966].

Ernst, B. [1992]. Optical Illusions. New York: Taschen America Inc.

Ernst, B. [1996]. Adventures with Impossible figures. New York: Taschen America Inc.

Escher, M.D. [1986]. Escher on Escher. New York: Harry N. Abrams.

Fineman, M. [1981]. The Nature of Visual Illusions. New York: Dover.

Gervais, A. [1984]. La Raie Allité d'effets. Montreal: HMH.

Gregory, R.L. [1979]. Eye and Brain [3rd ed.]. Princeton, NJ: Princeton University Press.

Gregory, R.L. [Ed.]. [1973]. Illusion in Nature and Art. London: Duckworth.

Hahn, O. [1966, July]. "Passport No. 622553300." Art and Artists,1[4], p. 10.

Henderson, L.D. [1983]. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press.

Hulton, P. [Ed.]. [1993]. Marcel Duchamp: Work and Life. Cambridge, MA: M.I.T. Press.

Maharaj, S. [Ed.]. [1996]. "A Monster of Veracity, a Crystalline Transubstantiation: Typotranslating the Green Box." In M. Buskirk & M. Nixon [Eds.], The Duchamp Effect [p. 68]. Cambridge, MA: M.I.T. Press.

Matisse, P. [Ed.]. [1980]. Marcel Duchamp: Notes. Paris, France: Centre National D'Art te de Culture George Pompidou.

Miller, A. [1936, August 16]. "Painter Hits Art Theory."Los Angeles Times.

Nesbit, M. [1991]. "The Language of Industry." In T. De Duve [Ed.], The Definitively Unfinished Marcel Duchamp [pp. 351-385]. Cambridge, MA: M.I.T. Press.

Nesbit, M. & Sawelson-Gorse, N. [1996]. "Concept of Nothing." In M. Buskirk & M. Nixon [Eds.], The Duchamp Effect [p. 153]. Cambridge, MA: M.I.T. Press.

Penrose, R. [1973]. "In Praise of Illusions." In R.L. Gregory [Ed.], Illusion in Nature and Art [p. 245]. London: Duckworth.

Penrose, L., & Penrose, R. [1958]. "Impossible Objects: A Special Type of Illusion." British Journal of Psychology, 49, p. 31.

Peterson, I. [1993]. Newton's Clock: Chaos in the Solar System. New York: W.H. Freedman.

Poincaré, H. [1908]. Science and Method. New York: Dover.

Roberts, F. [1968, December]. "I Propose to Strain the Laws of Physics." Art News 67[8], p. 62. New York: W.H. Freedman.

Ruelle, D. [1991]. Chance and Chaos. Princeton, NJ: Princeton University Press.

Sanouillet, M. & Peterson, E. [Eds.] [1973]. Writings of Marcel Duchamp. New York: DeCapo Press.

Schwarz, A. [1969a]. The Complete Works of Marcel Duchamp. New York: Harry N. Abrams.

Schwarz, A. [1969b]. Projects and Notes for the Large Glass. New York: Harry N. Abrams.

Shearer, R.R. [1998]. The Flatland Hypothesis: A New Look at Revolutions in Art and Science. New York: Copernicus.

Shearer, R.R. [1997a, March/April]. "Coffee Mates." The Sciences, 37, pp. 14, 15.

Shearer, R.R. [1997a, September/October]. "What's In A Word." [Letter Exchange with Francis Naumann]. The Sciences, 37, pp. 7, 63, 64.

Tomkins, C. [1965]. The Bride and the Bachelors. New York: Viking Press.