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BIBLIOGRAPHY Part II
Adcock, C. [1984, Fall]. "Conventionalism in Henri Poincaré and Marcel Duchamp." Art Journal, pp. 249-258. Bonk, E. [1989]. Marcel Duchamp: The Box in a Valise. New York: Rizzoli. Buskirk, M. [1996]. "Thouroughly Modern Marcel." In M. Buskirk & M. Nixon [Eds.] The Duchamp Effect [pp. 191-204]. Cambridge, MA: M.I.T. Press. Cabanne, P. [1967]. Dialogues With Marcel Duchamp. London: DaCapo Press. Camfield, W. [1991]. "Duchamp's Fountain: Aesthetic Object, Icon, or Anti Art?" In T. DeDuve, [Ed.], The Definitively Unfinished Marcel Duchamp [pp. 133-178]. Cambridge, MA: M.I.T. Press. De Duve, T. [1991]. [Ed.], The Definitively Unfinished Marcel Duchamp. Cambridge, MA: M.I.T. Press. d'Harnoncourt, A., & McShine, K. [1973]. Marcel Duchamp. New York: The Museum of Modern Art. Diacu, F., & Holmes, P. [1996]. Celestial Encounter: The Origins of Chaos and Stability. Princeton, NJ: Princeton University Press. Duchamp, M. [1960]. "The Bride Stripped Bare by Her Bachelors, Even." In a typographic version of the Green Box Notes by Richard Hamilton: London: Hansjörg, Mayer, Stuttgart. Gold, L. [1958]. A Discussion of Marcel Duchamp's Views on the Nature of Reality and Their Relation to the Course of his Artistic Career. Unpublished bachelor's thesis, Princeton University, Princeton, NJ. Krauss, R. [1991]. "Where's Poppa?" In T. DeDuve, [Ed.] The Definitively Unfinished Marcel Duchamp [pp. 433-479]. Cambridge, MA: M.I.T. Press. Kuh, C. [1905]. In The Artist's Voice: Talks with Seventeen Artists [pp. 81-93]. Harper & Row. Maharaj, S. [Ed.]. [1996]. "A Monster of Veracity, a Crystalline Transubstantiation: Typotranslating the Green Box." In M. Buskirk & M. Nixon [Eds.], The Duchamp Effect [p. 68]. Cambridge, MA: M.I.T. Press. Moure, G. [Ed.]. [1984]. Duchamp. Madrid, Spain: Sala de Exposiciones de la Caja de Pensiones. Peterson, I. [1993]. Newton's Clock: Chaos in the Solar System. New York: W.H. Freedman. Poincaré, H. [1952]. Science and Hypothesis. New York: Dover. [Original work published in 1902] Poincaré, H. [1908]. Science and Method. New York: Dover. Roberts, F. [1968, December]. "I Propose to Strain the Laws of Physics." Art News 67[8], p. 62. New York: W.H. Freedman. Sanouillet, M. & Peterson, E. [Eds.] [1973]. Writings of Marcel Duchamp. New York: DeCapo Press. Schwarz, A. [1969a]. The Complete Works of Marcel Duchamp. New York: Harry N. Abrams. Shearer, R.R. [1997]. "Marcel Duchamp's Impossible Bed and Other 'Not' Readymade Objects: A Possible Route of Influence from Art to Science" [Part I]. Art & Academe, 10[1]. pp. 26-62. Shearer, R.R. [forthcoming]. Why the Readymades Aren't Readymade. Decoding Duchamp's Paradigm Shift. New York: Springer-Verlag. Tomkins, C. [1965]. The Bride and the Bachelors. New York: Viking Press. |